The Paupers Path to Hope

by Mick Ryan

Price: £4.99
WGS379CD

THE PAUPER'S PATH to Hope. A folk opera, celebrating the extraordinary resilience of ordinary people. By Mick Ryan. Another folk opera by the author/composer of 'A Day's Work', 'The Voyage', 'Tanks For The Memory' and 'The Navvy's Wife'.

The New Poor Law, of 1834, was an honest, if ill conceived, attempt to provide 'relief' for the ‘genuinely’ needy, whilst deterring 'the undeserving poor'. The 'Union Workhouse', then, was a harsh place. Those who sought its shelter, did so voluntarily, but unwillingly. On arrival, they were segregated (men, women and children going separate ways), disrobed, relieved of all personal belongings (these were returned upon departure), washed (often actually fumigated), dressed and put to a regime of work and silence. The work done included picking oakum (mostly by women), breaking stones (by men) and (when their was nothing else) 'turning the mill'. This was a two-man device which produced nothing but sweat and (supposedly) virtue. There were no clocks, and in the brick of the workhouse at Southwell you can still see the rough sundial etched into the brick of the wall of the exercise yard by a desperate inmate. In the words of the authorities of the time, 'The Workhouse is an institution of benevolence. We teach them all, and especially the children, all they need to know to be useful members of their class. Reading, writing, gardening, sewing, industry, usefulness, virtue.'


In the words of Thomas Carlyle (1839), 'The New Poor Law is an announcement that whosoever cannot work ought not to live."

Through original song, music, verse, monologue and dialogue, 'The Pauper's Path' tells the story of seven people forced by circumstances to enter the dreaded workhouse of the nineteenth century, but able, by strength, determination and love, to escape its clutches.

The Pauper's Path Company

Mick Ryan (Vocals)
Paul Downes (Vocals, guitar, mando-cello, madolin, banjos)
Maggie Boyle (Vocals, flute, bodhran)
Roy Clinging (Vocals, concertina)
Heather Bradford (Vocals)
Judy Dunlop (Vocals)
Phoebe Kirrage (Vocals).



Words and Music by Mick Ryan

Directed by Mick Ryan

Musical Direction by Paul Downes and Mick Ryan

Brass arrangements by Paul Downes

THE SONGS (All Words and Music by Mick Ryan, except as indicated)

Act 1/CD 1

1 The Workhouse (Mick,All)
2 Let Us In (Music - Ryan/Downes) (All)
3a This Is the Workhouse (Paul, All)
3b You Can't Have That (Music - Trad., adapted Ryan) (All)
4 Time (Heather)
5 Locks and Bolts (Mick, All)
6 Turn That Mill (Roy)
7 Fire Against the Cold (Judy, Mick, All)
8 Long Ago and Far Away (Roy, Judy)
9 Free at Last (Mick, Heather)
10 Who? (Maggie)
11 My Child (Judy)
12a The Workhouse Child (Part One) (Phoebe)
12b Work! Work! When's It Gonna Stop? (Mick, All)
13 Industry, Usefulness, Virtue (All)

ACT 2/CD 2

1 In Their Eyes (Music - Ryan/Downes) (Mick, All)
2 The Vagrant's Song (Music - Ryan/Downes) (Paul)
3 The Union (Part One) (Heather, All)
4 Do You Remember? (Judy, Roy)
5 A Jolly Good Job (Heather, Mick)
6 That's My Story (Maggie)
7 Down Among the Dead Men (Paul)
8 The Union' (Part Two) (Mick, All)
9 The Workhouse Child (Part Two) (Phoebe)
10 Is That You? (Roy, Judy, Maggie, Paul)
12 No One Saw Me (Phoebe)
13 The Path to Hope (Mick)
14 'Where Shall I Go? (Maggie)
15 My Home (All)
16 The Pauper's Path (All)

The Workhouse
Let Us In
Sample not available
This Is the Workhouse/ You Can't Have That
Time
Sample not available
Locks and Bolts
Sample not available
Turn That Mill
Sample not available
Fire Against the Cold
Sample not available
Long Ago and Far Away
Free at Last
Sample not available
Who?
Sample not available
My Child
Sample not available
The Workhouse Child (Part One)/ Work! Work! When's It Gonna Stop?
Industry
Virtue
In Their Eyes
Sample not available
The Vagrant's Song
Sample not available
The Union (Part One)
Sample not available
Do You Remember?
Sample not available
A Jolly Good Job
Sample not available
That's My Story
Sample not available
Down Among the Dead Men
Sample not available
The Union' (Part Two)
Sample not available
The Workhouse Child (Part Two)
Sample not available
Is That You?
Sample not available
No One Saw Me
Sample not available
Where Shall I Go?
Sample not available
My Home
Sample not available
The Path to Hope
Sample not available
The Pauper's Path
Sample not available

Folk Northwest

Derek Gifford

This is a 2-CD set of Mick Ryan's commissioned folk opera which dramatises the era of the workhouses which were set up in the 19th century following the passing of the New Poor Law Act of 1834. The drama tells the story of seven people forced by circumstances beyond their control to enter the workhouse.  The cast includes Mick as 'Mark' a feckless pauper, Roy Clinging as 'Richard' a former hard working pauper, Judy Dunlop as 'Jane' a childless pauper, Heather Bradford as 'Helen' the wife of 'Mark', Maggie Boyle as 'Mary' a widow pauper, Paul Downes as a tramp and also the workhouse master and Phoebe Kirrage as a workhouse child.

The question has to be asked, of course, as to whether the play transfers successfully to a purely audio performance on CD. As with previous works of a similar nature by Mick Ryan it does so because many of the songs work as 'stand alone' items and also because the occasional spoken narrative in between the songs keeps the listener informed of the story line.

As can be deduced from the cast list the performances are all excellently executed. The one name that most people will not know is that of Phoebe Kirrage. She is a fourteen year old lass but sounds a far more mature singer than her young years suggest. Look out for her because I think she'll make her mark in years to come.

As far as the songs are concerned the title song 'The Pauper's Path' certainly lends itself to extraction as a stand alone work as does the opening song 'The Workhouse' and the optimistic 'The Path to Hope'.

It is impossible in a short review like this one to comment on all of the 28 tracks but I must say that Paul does a credible Midland accent on 'This is the Workhouse', 'You Can't Have That' and 'Industry, Usefulness, Virtue'. Also his superb guitar work percolates throughout both CDs. Among the songs that impressed me the most was Judy's melancholy performance of 'My Child' and also Mick singing 'In Their Eyes'. Maggie shines on 'Where Shall I Go?' too.

Because of Mick's seemingly endless talent as a song writer the whole show keeps the listener's attention throughout the two recordings and you don't necessarily have to have seen the show live to appreciate it. The notes in the cover booklet give the background to the songs and the story and useful information about each of the performers.

This is yet another accomplished work of musical art from Mick and his associates which I can recommend whole heartedly.

EDS

Jacqueline Patten

Mick Ryan was commissioned to write a folk opera

based on research into the workhouse, particularly

that of Southwell, Nottinghamshire, now a National

Trust Museum, where the first performance took

place in June 2011. As would be expected Mick

fulfilled the task admirably. This is the album of the

show and, in the course of a double CD, the

listener is transported into the lives of seven

'residents'.

Traditional music has a penchant for dwelling

on the darker aspects of life but the grinding

poverty that forced people to be admitted to the

workhouse, is rarely explored in song; there is little

scope for romanticism or pathos. If life outside the

workhouse was harsh, life inside was much

harsher: the cost of running the workhouse fell to

the local ratepayers. It was the refuge of last resort

for the destitute.

The twenty-eight songs portray the lives of five

paupers, a tramp, and an orphan girl, with two

from the workhouse master, in which irony serves

to underline the severe conditions: 'this is the end',

'entry's free', 'poverty's a crime'. With the variety

of song style and the narrative lyrics depicting the

characters' lives, the audience is drawn into their

situation. As the workhouse master, Paul Downes

raises a smile through his sheer enjoyment of

emphasising the reality of his cruel domain; the

orphan, Phoebe Kirrage will touch the heart of all,

as will Jane (Judy Dunlop) who regrets not having

a child, and Mary (Maggie Boyle), a widow. Richard

(Roy Clinging) misses his wife, Jane, while

husband and wife, Mark (Mick Ryan) and Helen

(Heather Bradford) are delighted to be separated!

With Paul playing an array of stringed instruments

and Maggie on flute and bodhran, the performance

is superb.

Go to see it if it comes near you!

Whats Afoot

Colin Andrews

Following his highly acclaimed Voyage and Navvy's Wife, Mick Ryan has again come up with a truly amazing set of original songs (though Down Among The Dead Men has appeared on his earlier recordings) in this his latest folk opera, It relates the destitution, the harsh conditions but above all the hope and resilience of those ordinary people who have fallen on hard times.

The Pauper's Path company consists of Mick Ryan, Paul Downes, Roy Clinging, Judy Dunlop, Maggie Boyle, Heather Bradford   all accomplished performers in their own right   and Phoebe Kirrage, a young teenager with a great future ahead of her as a singer. I haven't as yet seen the live show, but even so I enjoyed the atmosphere and sense of purpose created by the 28 tracks on this double CD. Many of the songs could stand alone, but taken together they generate a real narrative. Mick Ryan has a real gift for writing songs that have a `traditional' feel to them, and certainly there are some songs that one feels could have been written in the era of the workhouse.

Inevitably, even amongst the high quality material presented, certain songs stand out for special mention. Free At Last is quite ironic   a man and wife welcoming the forced separation of spouses in the workhouse after years of an unhappy marriage. Workhouse Child catalogues the harsh regime in an ABC. Long Ago and Far Away, from Roy and Judy, is a powerful ballad looking back at the good times. It's the slower songs, however, that really steal the show for me: Time , from Heather, My Child, from Judy, and two numbers from Maggie   the haunting melody of Where Shall I Go, and, my clear favourite, That's My Storv   such a simple and attractive tune and a beautiful lament from a girl separated from her loved one.